This Drifting Poo Was Far Too Meaningful! These Are the TV Disappointments of the Year.

Looking back, we consider the TV offerings of the past year, a selection of shows emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to bafflingly poor docuseries, here are the productions that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season began, it seemed as if it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It concluded on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, fans certainly had a hoot picking apart every single “wtf?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's problems. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to begin listing the flaws. The hilariously leaden writing? The mind-numbing glorification of affluence and materialism? The almost wilful parade of cliches? Performances so poor they felt almost spiteful? Let’s just say “all of the above” and forget about this series again. Except, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to suffer proximity with this charming but dismissive egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing accents. But there were plenty of other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into twee lifestyle as deliberate provocations. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing brochure. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of gifted emerging comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lumbering from strangely breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Jocelyn Jones
Jocelyn Jones

Felix Weber is a seasoned gambling analyst with over a decade of experience in the online casino industry, specializing in game reviews and player strategy.